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  1.  4
    Assplay in Asinaria.T. H. M. Gellar-Goad - 2022 - Classical Quarterly 72 (1):217-221.
    This note argues that repeated uses of onus ‘burden’ in Plaut. Asin. 591–745 pun on Greek ὄνος ‘ass’ and, in so doing, activate a network of other puns and hints at the play's title, asses (the animal), and both homoerotic and anal sex.
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  2.  4
    Antestari: Procedural Law in Curculio 620–625.T. H. M. Gellar-Goad - 2020 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 164 (2):354-360.
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  3.  9
    Pop Music and Graeco-Roman Erotic Verse: Teaching Thorny Topoi in Lyric Ancient and Modern.T. H. M. Gellar-Goad - 2018 - Classical World: A Quarterly Journal on Antiquity 112 (1):649-662.
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  4.  4
    The Lexicon of Profit and Commerce in Ovid's Ars Amatoria and Other Works.T. H. M. Gellar-Goad - 2021 - American Journal of Philology 142 (2):287-318.
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  5.  2
    Andria Moi Ennepe_: An Allusion to Odysseus in Terence, _Andria 560–2.T. H. M. Gellar-Goad - 2022 - Classical Quarterly 72 (1):433-434.
    This note argues for a previously unnoticed allusion in Terence's Andria to Odysseus and the Sirens, in a wish expressed by the play's old man that his son will escape the alluring clutches of the sex-labourer next door.
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  6.  15
    Elegiac jealousy - Caston the elegiac passion. Jealousy in Roman love elegy. Pp. X + 176. New York: Oxford university press, 2012. Cased, £47.99, us$74. Isbn: 978-0-19-992590-2. [REVIEW]T. H. M. Gellar-Goad - 2014 - The Classical Review 64 (1):130-132.
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  7.  14
    Imitation of art and Terence. †Germany mimetic contagion. Art and artifice in Terence's eunuch. Pp. XII + 198, ills. Oxford: Oxford university press, 2016. Cased, £55, us$90. Isbn: 978-0-19-873873-2. [REVIEW]T. H. M. Gellar-Goad - 2018 - The Classical Review 68 (1):81-83.
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